Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


3.1
Poor harmony
Bottom 7.2%This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.9This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.8This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.6This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.39 ratios showing strong performance but not fitting into specific categorized strengths.
9.7The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
14.4%The jaw has a softer, rounder shape, often less angular and robust than the ideal.
11.6%The middle of the face is elongated, creating an unbalanced vertical proportion.
10.9%The jaw angles sharply downward, creating a narrow or pointed chin effect.
10.2%The upper jaw is excessively long, unbalancing the lower face proportions.
8.0%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.8%The lower jaw is too short, reducing lower face strength and balance.
5.8%The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
5.1%The chin lacks forward projection, creating a weak lower face appearance.
5.1%The vertical jawbone is too short, leading to inadequate jaw height and definition.
4.4%The face is excessively tall and narrow, creating an elongated appearance.
4.2%The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
3.6%The lower lip juts out excessively, unbalancing the lower face.
2.6%The lower lip is excessively thick, creating disproportionate lip proportions.
2.6%The eyes are positioned too close together, reducing midface balance.
2.4%The midface and jaw shapes do not align, reducing facial harmony.
2.4%The neck lacks angularity, appearing soft and undefined in the profile view.
2.4%The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
2.3%The nose is too broad, creating an unbalanced facial appearance.
2.2%The mouth is too slim, reducing expressiveness and facial proportion.
2.2%The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.5%The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
1.4%The upper forehead slopes backward excessively.
1.0%The jaw is too slim, creating a delicate or less robust lower face appearance.
0.9%The eyes appear excessively round.
0.7%The eyebrows lack adequate horizontal length.
0.7%The forehead slopes backward excessively, altering upper face proportions.
0.4%5 ratios showing minor proportional variations that contribute to overall harmony score.
3.8%