Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)0.8
Submental Cervical Angle1.6
Elijah Wood
Facial Harmony Analysis
Overall
6.4
Top 17%·Very good harmony
Front
6.4
Top 18%
Side
6.6
Top 14%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
10.0
Ideal eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.9
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.8
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.6
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.6
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.5
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.5
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.5
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.1
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.0
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.9
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.9
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
8.6
Good ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.7
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.6%
Hypo-divergent jaw growth
The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.
6.0%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
3.9%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.2%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
2.9%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
2.8%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.3%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.3%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.1%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.6%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
1.6%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
1.4%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
1.4%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
1.3%
Short lower third
The lower face is too short, reducing chin and jaw prominence.
1.1%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
1.1%
Overly round eye shape
The eyes appear excessively round.
0.3%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.3%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
3.3%
Minor Proportional Variations
3 ratios showing minor proportional variations that contribute to overall harmony score.
