Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


3.1
Poor harmony
Bottom 6.7%FaceIQ Labs rates D-Low (Beatbox)'s Harmony at 3.1, 845th of 874 men on the wiki. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. His strongest measurements are Anterior Facial Depth and Bigonial width, both at 10.0, and his weakest are Nose Tip Position and Total Facial Width to Height Ratio, both at 0.0. The closest Harmony scores on the wiki belong to Matt Walsh (3.1), Thomas Matthew Crooks (3.1) and Rakai (3.1). David Rosenberg (Model) has the highest, at 8.9.
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0This contributes to a harmonious midface due to the nose having a balanced shape and projection.
10.0This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.9This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.9This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.9This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.7This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.05 ratios showing strong performance but not fitting into specific categorized strengths.
9.8The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
10.0%The lower jaw is too short, reducing lower face strength and balance.
10.0%The entire face is too short and wide, reducing overall proportion.
7.7%The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.
7.2%The jaw has a softer, rounder shape, often less angular and robust than the ideal.
6.9%The upper jaw is excessively long, unbalancing the lower face proportions.
6.9%The jaw lacks curvature, appearing straight and less dynamic in shape.
5.4%The outer corners of the eyes tilt downward, giving a droopy or sad look.
4.8%The eyes appear excessively round.
4.6%The neck lacks angularity, appearing soft and undefined in the profile view.
4.6%The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.
4.1%The lower lip lacks fullness, appearing too slim relative to the upper lip.
3.4%The lower face is too short, reducing chin and jaw prominence.
3.1%The nose protrudes excessively, dominating the facial profile.
3.1%The eyes are too far apart, creating a wide or stretched midface appearance.
3.0%The middle of the face is elongated, creating an unbalanced vertical proportion.
2.4%The nose is too long vertically, unbalancing the midface proportions.
2.4%The midface is too tall, elongating the central face.
2.4%The upper face is too tall, creating an unbalanced forehead proportion.
2.4%The lower lip is too recessed, reducing fullness and profile balance.
2.3%The cheekbones are moderately low, providing limited midface definition.
2.0%The neck is too slim, appearing delicate and less proportionate to the face.
1.8%The central midface is too wide, often due to wide-set eyes or a short nose.
1.8%The nose tip is excessively pointed, creating a harsh appearance.
1.5%The midface and jaw shapes do not align, reducing facial harmony.
1.4%The nose bridge is excessively narrow.
1.3%The upper lip is set too far back, creating a flat or thin appearance.
1.1%The eyebrows lack adequate horizontal length.
1.0%The nose droops downward, creating an unbalanced nasal profile.
0.8%The mouth corners are downturned, creating a frowning or sad appearance.
0.4%2 ratios showing minor proportional variations that contribute to overall harmony score.
1.2%D-Low (Beatbox)'s Harmony score is 3.1 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, D-Low (Beatbox) is ranked 845th of 874 men on the wiki.